[18] While not assigned to supervise Miss Kitty's animation, she asked for the position and got it. [122], Between January to February 1992, Marvel Comics ran a three-issue series based on Fievel Goes West, written by D.G. Of course Amblination was made from the remnants of Bluth leaving Spielberg, which would mean the original is almost as responsible for Dreamworks as the sequel. [85] Including it on a list of "19 Classic Movies That Prove 1991 Was Truly The Best Year For Film", Bustle described the film as "a fun, action-adventure comedy that gave Fievel's sister Tanya some much-needed screen time. Chula, landing him in the middle of the desert. Tony sees Bridget the first time. Tanya's original voice actor, Amy Green, was replaced by Cathy Cavadini, and new characters were voiced by John Cleese, Amy Irving, Jon Lovitz, and James Stewart in his final film role. Maybe we put too much faith in a sequel Fievel's American Tails when our audience had grown out of [An American Tail] six years later. [18], An American Tail: Fievel Goes West was Steve Hickner's first time as an associate producer, a position that forced him to be more sociable than he usually was; he later took his experience on the film as valuable, as it taught him the lesson of "acting [giving him] way to actual behavior". [6] As Spielberg explained, "The characters are affected more by their surroundings -- by the lighting and the sunsets. A computer game based on the film was created in 1993. Shortly after, the mouse community falls under another attack by the cats—-this time led by an aristocratic cat named Cat R. Waul—-forcing the mice, including Fievel's family, to flee into the sewers. [79], In the late 2010s, An American Tail: Fievel Goes West was recognized on publication lists of best Netflix-available westerns,[80] ranking in the top ten of lists by Paste[81] and The Daily Dot. [3] He was not involved in the production and post-production, and admitted in 1993 that he disliked Fievel Goes West as "entertainment without character". Meanwhile, Fievel is chased by Chula and briefly taken prisoner, but flees. Fievel is unsure about taking it, but realizes that his journey is not over. "[10] With no Bluth in sight for the sequel, Spielberg instead relied on ex-Disney animator Phil Nibbelink and ex-Richard Williams storyboard artist Simon Wells, the great-grandson of science-fiction author H. G. Wells, to direct the project. Chichester with art by George Wildman.[123]. "[71] Unlike other critics, Cortney Thekan appreciated the huge amount of subplots: "I mean, we all know the attention span of a 4-year-old. Full-length cartoons need the subplots to hold children's attention. [14] As Fievel Goes West was a parody of Western films, the animators heavily studied the works of John Ford and Sergio Leone. [103] The release was pulled from the shelves in January 1993. [19], Fievel Goes West was initially planned for a fall 1990 release, but it was delayed to a late 1991 date. [82] It was also number 24 on GameSpot's "25 Best '90s Movies On Netflix",[83] appeared on Wonderwall's list of best animated sequels,[84] and landed on a Cosmopolitan list of "50 Movies You Definitely Watched in the '90s and Forgot About". [7] At the time, Amblimation was also developing We're Back! [124] In 2020, NBCUniversal regained rights to the series and is set to stream on Peacock,[125] over two decades after being abandoned since the release of the DTV films in the late 1990s. Wylie insists that it is too tough and that Fievel try to get out while he still can. ", "An American Tail: Fievel Goes West DVD review", "Sunday Matinee – "An American Tail: Fievel Goes West, "Sold Out Event-Members' Movie Night: An American Tail: Fievel Goes West (1991)", "Every Pop-Culture Reference (So Far) in Season Three of 'Rick and Morty, "Digital Cassette Becomes the Talk of the Town", "New Envelope has Saddle; 19 Others to be Recycled", "A $65-Million Sales Job for 'Jurassic' Video", "An American Tail: Fievel Goes West DVD Release Date July 20, 2001 (VCD / 老鼠也移民之西部歷險) (Hong Kong)", "An American Tail: Fievel Goes West DVD Release Date September 25, 2003", "An American Tail: Fievel Goes West DVD Release Date September 29, 2005 (Fievel va al Oeste) (Spain)", "Rejsen til Amerika II: Fievel i det vilde vesten DVD Release Date November 15, 2011 (Denmark)", "An American Tail & An American Tail: Fievel Goes West DVD Release Date December 6, 2006 (Slim 2 Film Boxset) (United Kingdom)", "Colección Cine Familiar DVD Release Date June 22, 2009 (Fievel y el nuevo mundo + Fievel va al Oeste) (Spain)", "An American Tail DVD Release Date August 22, 2010 (Family Double Feature)", "An American Tail 4-Movie Complete Collection DVD Release Date June 13, 2017", "An American Tail: Fievel Goes West Blu-ray Release Date July 4, 2017", "An American Tail: Fievel Goes West Blu-ray Release Date July 4, 2017 (Canada)", "An American Tail: Fievel Goes West Blu-ray Release Date September 25, 2017 (United Kingdom)", "An American Tail: Fievel Goes West HD Prime Release Date November 11, 2013", "Netflix's New Releases Coming in April 2017", "An American Tail: Fievel Goes West Movies Anywhere Release Date October 12, 2017", "American Tail Fievel Goes West (1992) comic books", "TV REVIEWS : Cartoons Seek a Gleeful Insanity in New Season", "An American Tail: Fievel Goes West – Review", "An American Tail: Fievel's Gold Rush - Overview - allgame", "American Tail 2: Fievel Goes West – James Horner", "An American Tail: Fievel Goes West (James Horner)", "The Oral History of Celine Dion's 'My Heart Will Go On': Controversies, Doubts & 'Belly Pains' In the Studio", "Profiles of Celine Dion, Enrique Iglesias, Moby", "Linda Ronstadt Chart History (Adult Contemporary)", "CASH BOX Singles – Looking Ahead 1/18/92", "An American Tail: Fievel Goes West (1991). A Dinosaur's Story (1993), Balto (1995), and a screen adaptation of Andrew Lloyd Webber's Cats which never saw completion. "[74] Roger Ebert gave it two-and-a-half stars out of four and wrote, "There is nothing really the matter with An American Tail: Fievel Goes West, except that it is not inspired with an extra spark of imagination in addition to its competent entertainment qualities". Seeing this, Cat R. Waul unveils a giant revolver, which he fires at the fleeing mice as a makeshift cannon, until Wylie catapults Fievel to the gun, which the mouse quickly intercepts from and attempts to use against Cat R. Waul. "[6] Production manager Cynthia Woodbyrne explained that "he wanted us to keep the camera moving all the time", a technique imposed in cuts such as the film's sewer ride sequence and a 360-degree pan shot of the film's desert vista. [16] Each and every week, the animators drew 5 to 10 minutes worth of storyboards, which were then shipped to Amblin Entertainment's main headquarters in Universal City, California, where they were approved by Spielberg and his creative team. After being discovered, he is thrown from the train by Cat R. Waul's hench-spider, T.R. [2] A sequel to An American Tail (1986), the film follows the story of the Mousekewitzes, a family of Jewish-Ukrainian mice who emigrate to the Wild West. It has a rich, deep style. In the Marvel Comics adaptation of the "An American Tail: Fievel Goes West". [66][60] Empire opined that, despite its enjoyable comedic relief characters and "fantastic chase scenes", Fievel Goes West suffered from being "fairly predictable". [35] Another official of the company explained that he had little faith in the project, describing it as "charmless" and its animation "pedestrian". On An American Tail, Bridget appears with brown fur with tan tone around her eyes and on her freckled muzzle. [139][140] In the United States, Ronstadt's version of "Dreams to Dream" reached number 13 on Billboard's Adult Contemporary chart[141] and number eight on Cashbox's Looking Ahead chart. [68] Roger Hurlburt called its animation "bright and sassy, "colorful backdrops" and "eye-filling uses of exciting angles". [28] Upon its 1992 VHS release, Fievel Goest West held the record for shortest theater-to-home-video transfer, previously held in a tie by Batman (1989) and Robin Hood: Prince of Thieves (1991). [40] It also has the 124th all-time biggest opening weekend for a G-rated film,[41] opening in fourth place with $3,435,625;[42] and has 60th smallest weekend drop for a film in 600-plus theaters thanks to its second week grossing $3,782,080. Two direct-to-video sequels were produced after the series: An American Tail: The Treasure of Manhattan Island, released in 1998, and An American Tail: The Mystery of the Night Monster, released in 1999. There are many scenes and shots with Fievel or Tiger that are animated masterfully: especially the opening scenes with Fievel and his family escaping the cats, or Tiger trying to escape the dogs while running to the train station. However, many English-speaking writers have come to adopt the spelling Fievel (with reversed i and first e) especially for this character; it was this spelling that was used on the film's poster, in promotional materials and tie-in merchandise, and in the title of the sequel An American Tail: Fievel Goes West. [142] It also reached 69 on RPM's Canadian singles chart[143] and 18 on the magazine's Adult Contemporary chart. Fievel : And then, the hero Wylie Burp, squinted across the dusty street. An Entertainment Weekly review compared the score to the soundtracks of Gunsmoke and Oklahoma! On the inside it is red. [12] Spielberg met Stewart at a party asking him to voice Wylie Burp, and all of Stewart's lines were recorded in ten days; his last involvement in a Western was in The Shootist (1976).[13]. [95], Comedy television series such as 30 Rock,[96] Brooklyn Nine-Nine,[97] and Rick and Morty have referenced Fievel Goes West. "[6] Nancy Beiman originally worked as a regular animator on Fievel Goes West, but became a supervisor on the project six months after she entered Amblimation. Complete with legendary James Stewart voicing broken-down lawdog Wylie Burp, An American Tail: Fievel Goes West is an amiable sequel to the 1986 animated … [49] By contrast, the original film made $47.4 million in the U.S. in 1986, a record at the time for a non-Disney animated one, and a further $36 million overseas, for a total of $84 million. 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